
FDPA
Rules & Glossary
Intellectual Property of Etudes
The Etudes are the intellectual property of the Florida Dance Education Organization (FDEO) and are licensed to your organization for the sole purpose of participating in the 2025 Florida Dance Performance Assessment (FDPA). They may not be shared, lent, given away, sold, publicly performed, or publicly displayed except in direct connection with your organization's participation in the 2025 FDPA. All rights not expressly licensed are reserved by FDEO.
Adjudication Requirements
Teachers may opt to go up in assessment rating but not down
5-20 students per school for assessment only * please do not ask for more
All dancers involved in FDPA assessment must do all 3 categories of:
Etudes / Acquisition / Ensemble
The Etudes are expected to be done on both the Right and Left sides
Please use simple transitions - Etudes should be done in unison - this is not the place to stage
Teachers do not give directions to their students during any assessment with the exception of blocking prior to Ensemble for safety.
Teachers are a fly on the wall during the 3 assessments and will not talk or defend their choice(s) - of course hello and thank yous are welcome!
Levels of Adjudication
Proficient (beginners with 0-5 hours of dance/week)
Must do 5 ballet and 3 modern etudes; may opt to do Jazz or West African or both.
Ensemble time 3-5 minutes
Accomplished (intermediates with 5-10 hours of dance/week)
Must do 5 ballet and 3 modern and either Jazz or West African; may opt to do all 10 etudes.
Ensemble time 3-8 minutes
Advanced (10+ hours of dance/week)
must do all 10 etudes
Ensemble time 3-12 minutes
Ratings: All levels adjudicated at the same ratings of…
Superior: Surpassing expectations in quality of presentation
Excellent: High level of presentation
Satisfactory: Good presentation
Needs Improvement: Lacking in presentation
Assessments
Technical Proficiency
Performance of preset Etudes: Ballet, Modern, Jazz, Ethnic-African
Movement Acquisition
Learning & performance of a new phrase given on site.
New phrases will be chosen at random in any style other than given Ballet/Modern/Jazz/West African etudes
Be ready for anything - we will share what shoes to bring (or not bring) a week or 2 before the assessment
Performance Ensemble
Performance of a piece rehearsed ahead of time
No props or costumes
The piece may be student or professional choreography
Teachers will block their dancers and then do the adjudicated run
Vocabulary
Adjudication: Assessing of presentation by professionals in each room
Alignment: Proper skeletal alignment while in motion or still
Application of Specific Details: Dancers ability to apply specific details to the phrases
Artistic Expression: Use of movement expression that represents the theme or genre of the choreography
Authentic Feedback: Immediate feedback shared with students and teacher
Clarity and Execution of Intent: Dancers perform with musicality, spatial and focal intent
Ensemble Cohesiveness: Dancers perform choreography with unison
Evidence of Dance Technique in Work: Technical proficiency in relation to genre of choreography
Interpretation of Stylistic Nuances: Dancers ability to apply the specific dynamic and style of the genre
Knowledge of the Phrase: Dancers knowledge of the preset exercises including order and counts
Musicality: Ability to follow the musical structure- counts, rhythm, or pulse
Positive Participation: Dancers willingness to learn the movement phrases
Rate of Acquisition: How quickly the dancers pick up the movement phrases
Safe Dance Practices: Movement choices are at the appropriate level and age of the dancers
Stage Presence: Use of projection and commitment to movement
Technical Accuracy: Use of correct body alignment, articulation of movement, technical aspects of the genre
Transitions: Use of connection from one movement to another